#this has nothing to do with this blog except for being in the same general genre

[averrse]

i'm feeling the dark urge to reread mistborn

[3liza]

I feel very defensive about the "goth is bougie" shit because it is historically incorrect, yes, but also and more personally, because it just erases the generations of goth kids who grew up in trailer parks and project housing or just straight up homeless, helping each other out.

it's specifically such a supportive subculture for poor and neglected kids and I really fucking hate that this has been revised and erased. juggalos and goths are very culturally close and many subcultural people are both, and juggalos have the same (and, I would argue, even better defined) culture of collective support. the Skids in Letterkenny are not made up for the show, that's just a real type of rural subcultural person. this has also been forgotten in the interim but in the 90s and 00s we didn't even really refer to OURSELVES as "goths" very much except in a joking way. goths had regional endonyms (like "skids" or "trenchies") even if they could all go to a convention or a club in a city and in that context be all called "goths" together, once they went back home they would go back to being whatever the locals called them or whatever they called themselves. this is a whole linguistics and sociology subtopic that's out of scope for a Tumblr post but is sort of related.

my point is that people who wore actual rags, and sharpie instead of nail polish, and wet n wild eyeliner instead of black lipstick, and dyed their hair with markers or food coloring or kool-aid, were and are the core of the goth scene. the majority of the pictures the mallgoth blogs are posting are from catalogs, fashion shows, costume events, yearly balls and fetes like Wave Gothik Treffen, and other places where people save up literally all year, or many years in a row, to put together ONE outfit. and there's nothing wrong with that, personally I'm proud and pleased that our hard work is being recognized and preserved. but just like formal studio photographs from the Victorian era, it is not representative of the daily or even weekly (for clubs) reality of people in the scene, some of whom were completely out of goth clothing during the day or week just to fit in at work or sometimes just to get along without being bothered at home by family members who thought the Cure was Satanic.

the people who RUN the scenes, the promoters and DJs and gogo dancers and independent designers and people who run the mailing lists and websites, the people who organize the room parties at conventions, and yes even most of the original Burning Man camps like Thunderdome, they mostly live in poverty. especially if they're young. when people organize club nights and shows, they're lucky if they break even. I wasn't aware of any of this until I started working at DNA Lounge in San Francisco, which hosts one of the oldest goth nights in the country, Death Guild. I got to know the owner of DNA well enough to find out about the financial reality of the entire scene, even the people who own the means of production and the actual property in this case, and it's not lucrative. I mean, it sometimes is, if you're running a bar for normal people and have investment captain etc, but the majority of legit subculture economics is just barely breaking even. every single event is 90% volunteer labor.

the issue of labor is maybe the confusing thing for the zoomers who are confused. goth outfits take actual physical work. maybe the Aspirational Spectacle of Labor that makes up most of TikTok has made it appear unreal to the audience rather than something you can just sit down and do?

it takes forty seconds to make the fishnet tights into a shirt. you don't need instructions, you really can just look at it and figure it out. then you think, hm, if I can make fishnets into a shirt I wonder what other things I can turn into something else. your brain will amaze you. my mom would save her tights from her formal work outfits for me when they got holes or whatever and I would just go crazy with scissors and safety pins. lots of young designers are getting attention for this layered, tights-n-pins look at the moment and it really is a fantastic aesthetic but I wonder if people think there's something special about the people who make these clothes? there isn't. you can just do it at home while you watch trashy youtubes.

one time, around 2008 or so, @gothiccharmschool and I were at the photoshoot for tabletop RPG Unhallowed Metropolis. we were there with a bunch of local goths to all make the pictures for this book together. we had all brought tons of our costumes from home to cobble together outfits for the book illustrations, and there was a moment when I just handed Jilli a pile of black skirts and some pins and said hey Jilli, could you please make me up a bustle skirt for this model real quick while I shoot these other models? and of course she did, and they were beautiful, because she knows exactly what she's doing, and because that's all a bustle is: it's a way of bunching up a skirt with another skirt. you can do it at home. you don't need instructions or to hire a seamstress or watch a video. you can just look at something and say hm does it look like a bustle? let's drape it and play with it and pin whatever works. and then you wear it for the photoshoot, or to the club!!! and then next week you pin it a different way and it's a cape instead and you wear it again!!!!!!!

[ladybyakuya]

| HEAVENLY HAZE + jiyan, geshu lin, scar, calcharo. 

+ cw. —fem!reader, headcanon format, slightly dc + yan content, explicit smut, s&d dynamics, s&m themes, blow!job, cunnilingus,overstim, edging, cum swallowing, mentioned aftercare. 

+ syn. — Where do they like to cum? What kind of ejaculator are they? messy? creampie lover? or strictly safe sex & cuddles for aftercare 

+ wc. — 1k

+ notes. — my wuwa debut post. guess who's my favorite ;D | redirect to blog navigation.

✧ JIYAN.

General Jiyan, as it may seem at first, could be tame in bed, but he slowly peels his skin off as he starts to get you comfortable around him with an increase in his gradual yearning for you. He likes to see you well satisfied before fucking the wits out of your body so he often prefers to make you cum first because you would be so wet, and so ready that he does not have to worry about being too rough with you. Sometimes, when he feels your gummy walls clenching around his cock makes it all the harder for him to hold back. It is always a game of push and pull to arouse each other. He takes so much time kissing you, getting you aroused, marking you as if he is solving an intricately delicate puzzle. The first time he had sex with you he ended up soiling his battle outfit with his cum since he provided too much time for you. But he has learned from his mistake. Now, he still gives you at the same time but he is barely clad while kissing your cunt, sucking your folds, and fingering your pussy till he hears your first orgasm. And, just when he feels he is getting there, his cock pulsing in his hands as he strokes his cock he stands up to give a last few strokes and cumming undone all over your tummy and boobs. He likes this: your needy lust-filled expression in those exhaustive eyes and yet so ready to be taken, to surrender to him.

✧ GESHU LIN.

Geshu is not taking any risk of losing you, nor would he give you a slight crack of a chance for it to widen and flee from his trap especially when he now knows how sweet the forbidden fruit tastes. He is territorial but it becomes more innate and intimate whenever it concerns you. He would mark you on places only you could see. Oh? You want to bear his mark on your neck where it would be easily visible? That’s so old school but sure! Whatever you want, you get except freedom. So, it should not come as a shock to you when he has you pinned down with your hands locked above your head. You are underneath him as he ruts into your sweet wet cunt, his thick cock tightly hugged by your soft gummy walls as he refuses to pull out. But you are still resisting him. Why is that? Has he not been clear enough to you with all his little marks all over your body? You are his, only his. The battle trophy that has not known the glory of victory but would surely know the glory of having a family. He releases the grip on your hands for a moment to make you realize how small, how meek you are against him. Even with his cock pulsing inside your pussy you manage to power sit up but he chuckles at your fight response. Geshu does not understand why you are doing all this. You would be safe with him. Yeah! He would give you anything you want. You just need to ask. He tackles you and holds your upper arms to keep thrusting for a final few strokes before he releases his seed into you claiming you as his and only his.

✧ CALCHARO 

Nothing beats the euphoric high that Calcharo experiences while blowing his load directly into your mouth. To be honest, he was not at par with the idea of getting his cock sucked by those same lips that talk about love to him. Your love for him, is something so pure, so demure, something he holds dear to himself which is why he refuses to taint it with himself. Calcharo hated the idea of you getting on your knees to serve him, to make him happy but at the same time he loved how you sucked him off. His love for you is in such high regard that he refuses to try any position that will let you be on a lower level than him but at the same time when you sucked him off for the first time, he had blown his load into your mouth and he felt good while doing it however unsightly it may seem after he tainted your divine lips with his cum.  But this position where you lay on the bed with your head hanging a little bit at the edge of the bed and he fucks your mouth is insanely euphoric that it makes his tacet mark glow whenever he cums. Plus, that view: his gaze like stuck in a drunken maze along with his shallow thrusts into your mouth followed by low grunts does nothing but turn you on too. By the time, he is about to cum, you have already started to touch yourself despite his repetitive warning because he does not know how much it turns you on to see the proof of this euphoria, that belongs to only you and him, glowing despite his denial to fuck you properly.

✧ SCAR.

It feels almost unholy how addicted Scar is by the way you boob-fuck his cock. Also, the little licks you do with your tongue and mouth while sliding your boobs up and down his shaft— yeah that; is his favorite part when you decide to go down on him. Of course, he is free to tell you, even has ways to coax you into getting his dick tit-fucked but is better when you do it out of your own free will, without any sort of stimulus from him be it sexual or just verbal. It is a rare occasion, but he is a man of patience. He can wait till you get fully ripe, till you get suffocated with doing these little sexual acts of sorts. For now, he can cooperate; for now, he can allow how you throw your tantrums when he insists on putting his cock in you, raw and without any rubber. The thought alone makes him hard but he is powerless against it as you say ‘no’ while pouting. So, for now, he can only wait and let you have it in your way. Those soft dainty palms cupping your own boobs just to get him off send him under the influence of absolute thrill because he often thinks how you would crave some more of this intimacy at some point and then under the influence of it, you are going to chase that feeling. And Scar is sure that when you would be chasing that feeling, you will think of him while doing it, and you will cradle and hold your boobs like you are doing now which is why he can not help but cum without giving you any sort of heads-up, coating your face and chest with his fluid but it seems that you are slowly starting to learn when he is about to cum; maybe you are ripe after all.

[ko-existing]

Stop for a second — Audio into Text

This might sound like a harsher or more stern post but either way, sometimes real talk is needed. A massive problem I see in my inbox and friends' inboxes is that people absolutely refuse to properly read posts, think about what was said, and ponder it for themselves before asking any questions. Out of the over 2000 asks we have received since opening this account, 99.9% of them can be answered by the questioners themselves. Most of the questions we answered on our blog could also be answered by the questioners themselves. We're not needed for it, but the problem is that people just do not want to think for themselves or don’t even want to properly read a post before asking questions.

For example is when we post something like, "All concepts are imaginary and made up. If you drop all of them, you're left with nothing-ness." Or, "If you strip yourself of all senses, you will still have the sense of existing or the sense of being. You don't need your senses for it. If you have a dream and your senses are not involved, you still know and have that sense of being and experiencing." Then, a very popular question is, "So, if all concepts are imaginary, does that mean the law of assumption, law of attraction, the void state, manifesting, and shifting are imaginary as well?" That's a question I will never understand because—genuine question—what do you think "all is imaginary" means? If there was an exception, don't you think someone would have mentioned it? It's not just our blog or other people's blogs—Rupert Spira, Swami Sarvapriyananda, Alan Watts, or Robert Watts all say the same thing. If there is an exception, one of us would have mentioned it. It’s already in the sentence: "ALL is illusory." There is no exception to it. So, why ask if there is an exception when it's already in the sentence

Another very popular thing is when we say, "All is awareness and everything happens within awareness." That is something you can absolutely, 100% directly experience because you're doing it right now. Just be aware that you're doing it right now, that everything is happening within awareness. Just go backward—ask yourself, "Why am I perceiving this right now? What's needed?" and then go backward, and the end, or what seems to be the end, would be awareness.

When we say that, people still ask how, or they say, "Well, but we experience it with senses, and who's aware of those senses?" You need "awareness" to be aware of the senses; the senses alone do not experience anything. That’s just independent thinking that is refused within a lot of you. Absolute independent investigation needs to happen.

The other day, we received a few asks saying that we phrase our posts vaguely—and that's not true. The way people phrase things, or the way blogs or speakers in general phrase things, is the exact same way they learned it and experienced it themselves. It might sound vague to you because you just briefly read over it and don't ponder on it, or don’t read it as many times as you need to. You just read it once, maybe twice, and then start asking questions—Go backward by yourself, think for yourself, ponder and investigate by yourself, and the answer is clear as day. But a lot of you don't want to do it, and that’s where the problem lies. You don't want to rely on yourself, you don't want to take responsibility for yourself. You feel like, "Okay, this person has woken up, this person is already seeing through the illusion, so I have to listen to them, and I have to ask them for security reasons, for safety reasons, because their word is reliable. My thinking is not. If I investigate for myself, there could still be mistakes." And that's where the false thought process is. If you believe that you have to rely on someone else's words because you cannot rely on your own conclusions, you will keep overconsuming to the n-th degree. Experiencing is not done by me—it's done by you. Investigating and coming to conclusions to true understanding on a fundamental level can never happen through someone that seems to be external. It happens within you, by you, for you, and it's something you need to understand.

I'm sorry if this sounds harsh, but it has to be said sooner or later because you're tired from going into circles, we're tired, everyone is tired. So why are you not doing yourself a favor and really seeing it for yourself? Stop asking anyone anything—ask yourself, because that's where the answer is. GO BACKWARDS. When people say "all answers are within," it is as literal as it can get. I'm not saying within your brain or within your organs, but the answers are within. If everything happens within awareness, the answers are within awareness, and the answers are just as illusory—which means not what they seem to be—as the questions. And once that's understood, there's nothing else to understand.

ALL anyone can do here is lead you to water, it's up to you if you drink or not .

[mimicofmodes]

I saw a post going around about costube historians analyzing period film costumes for accuracy and it kind of got under my skin, so I'm sitting down and writing ... not exactly a response to it, but a discussion of the topic.

(It would be a direct response except that I don't actually watch costube, because quite frankly I can't watch/listen to people discuss things I already know. And I don't want to be like "they don't do X!" when maybe they really do X and I'm just not aware. But a lot of the complaints hit the same points that have been brought up against fashion historians for reviewing costumes for decades. I would also note that I have looked into specific videos where there were claims of terrible costuber behavior and watched them and found nothing.)

If you're going to analyze a period film's costuming in any way, you should still interact with the historical aspect to some degree. If you want to talk about the use of bold stripes in Tim Burton's Sleepy Hollow, for instance, and you don't mention that they were in style during the period the film appears to be set in, it's kind of weird.

Likewise, yes, if you're critiquing primarily from the angle of historical accuracy, you should also engage to at least some extent with the reasoning behind the inaccuracy. If a reviewer doesn't do so at all, then yes, their review is probably not as good as it could be.

People pointing out an inaccuracy (or many inaccuracies) are not inherently scolding the costume designer. Even if their tone is something other than sweet. Sometimes they are scolding other people involved in the production, like the director who mandated a particular costume, or just a general notion of TPTB. Usually they are divorcing the art from the artist, though, and just reviewing the costuming from their particular viewpoint and knowledge base for a likeminded audience.

Sometimes, yes, they are complaining directly about the costume designer. This is not a crime. Some costume designers (for instance, Sandy Powell) have an incredible grasp on fashion history and excellent taste when it comes to diverging from it. Others simply don't have as in-depth of an understanding and make design decisions sometimes based on stereotypes and myths. Some costume designers will explain their decisions in interviews or blog posts and make it clear that they didn't make a truly informed decision about accuracy because they didn't know enough about the period. It's important for both sides of the equation to stop painting the other with too broad of a brush ("ivory-tower elitists who have no idea of a production's needs or budget" vs. "costumers who know how to sew but not how to do historical research").

If you're allowed to complain about a writer or a director or an actor doing something you don't like in a movie, you're also allowed to complain about a costume designer. You're allowed to have aesthetic preferences, and even to talk about them without hedging every five seconds to make it clear that others can disagree, although some of this is beneficial with any critique. Why would it be otherwise?

This seems really obvious to me, but maybe it's not? But "they costumed that female actor in an anachronistically sexy way because sex sells" is a feminist issue. The assumption that women's bodies should be sites of less-clothed allure while men's should attract by being more covered (with more layers than in modern dress, with cravats, etc.) is sexist. Complaints about female characters being costumed inaccurately are often being made along these lines, and pointing out that the producers insisted on it or something does not mean it's suddenly unproblematic that every female character deemed fuckable has to have low necklines at all times and modern shiny hair.

It's true that fiction isn't non-fiction and shouldn't be taken that way, but it's also demonstrably true that viewers do take cliches in film aesthetics as accurate when they see them enough times. People cite Scarlett O'Hara's 18" waist. They believe there were no bright colors before the 1920s and that women couldn't have put their hair up unless they were wealthy. These beliefs have consequences when it comes to public perceptions of history, and if films perpetuate them it's perfectly reasonable to point out that they support ideas about e.g. gender roles that trads express today.

It's also simply funny when a film's hair or costuming or makeup is supposed to evoke a lack of artifice but actually requires quite a bit of artifice because people don't naturally have perfect hair and skin and so on.

If you don't like reviews of period films that focus on the accuracy of the costuming, maybe ... don't watch/read reviews by fashion historians and historical costumers? At least unless they're vetted for you by someone who doesn't mind that?

[firstkanaphans]

Hii! I love your whole blog so much!

I just want to say about the recent asks and the discussions about actors not/being in closets and the reasons...I very much appreciate the insights!

It's nice if someone comes out publicly but it's such a private matter that I nobody should be coming out if they don't feel like it.

It baffles me that there are bl fans who push hetero views on real life people.

For me it's always kind of like a shimmering in the back of my head when I feel like someone might be queer.

What I wanted to say I guess is, that we communicate in hints when we're not out. It's nice to have kinda "official representation" but closeted people still find a way how to be privately proud. And I love that <3

(ps: for me first and khao are the definition of queerplatonic if you get me and even if I know literally nothing about them they still make me feel so happy about me being ace)

(pps: btw care to share what you ment by inn sarin has probably a whole ass husband? what did I miss? xD)

I really like that read on FK’s relationship! They’ve got something special for sure. And I also like your discussion about “hints.” It’s obviously more difficult with actors because we’re only seeing the parts of themselves they curate for public consumption, but queer people are generally good at finding each other. Like you said, it’s a vibe more than anything.

I know it’s a social faux pas in fandom to speculate about actors’ sexualities, but I’m not going to ignore signs when the actors are willingly giving them. And I’m certainly not going to pretend everyone is straight until proven otherwise because being straight is not the default and most of these boys don’t bother to act straight anyway.

As for Inn Sarin specifically, I’m so glad you asked because his life gives me so much queer envy. Rumors started to come out about him having a male partner during Miracle of Teddy Bear in 2022. It was a big deal at the time and most of the accounts I’ve read talk about how poorly Inn was treated by both fellow cast members and his previous management. He ended up dropping his management because of it and that’s how he came to be at GMMTV.

His partner’s name is Tie (here’s his Instagram) and although they keep their relationship very private (they hardly even take pictures alone together), it’s a good example of someone being open about their sexuality without saying it outright. He and Tie own Holiday Pastry together. They wear matching rings.

(If you start looking for Inn’s ring, you’ll notice it. He hardly ever takes it off except to film.)

Oh, and they have two children.

Despite my fears that GMMTV may be suppressing their actors’ ability to come out publicly, I do think they foster a very queer-friendly environment internally. A large portion of their staff is queer and their actors seem to be getting queerer as well, although I think that is largely due to the fact that they’re funneling their new recruits in from Project Alpha. But I feel confident that Inn wouldn’t have signed with a company that was going to kick him to the curb at the first sign of a boyfriend/fiance/husband since that’s literally why he left his previous management. We can only hope that now that same-sex marriage has been legalized, the environment will begin to change and make actors feel more comfortable sharing that part of themself if they wish to.

[missmonsters2]

—JOUSKA | THREE

Pairing: Wednesday Addams x OFC/Fem!Reader

Summary: Something and nothing at all changed. Wednesday is all too aware of the distance and the horrifying realization that if she wants to be closer, than she'll have to make the first move. Cue compulsively replaying a hypothetical conversation.

Warnings: Angst. Distracted!Wednesday. Wednesday generally being Bad At Feelings™️. Enid's wise words. Thing—the opportunist. Xavier absent but still not safe from Wednesday's roasts. Blood.

Series Masterlist | Library Blog | AO3

Reminder there’s no taglist but you can follow my library blog for notifications 💘

Note: This was intense to write, but it'll only get more intense! Likes, comments, & reblogs appreciated 🥺

Part Two

⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷

Jouska: Noun. A hypothetical conversation that you compulsively play out in your head.

⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷

Something and nothing at all has changed since that night. 

"Hi, Wednesday."

Wednesday's eyes catch yours as she watches you flanked by two gorgon girls. You've got a white stick of a lollipop hanging in your mouth at the side, the grape confection already finished, but you don't like littering (unlike some of these other heathens at the academy).

Wednesday doesn't say anything back, but she does slow her walking down subtly, her brows relaxes and expression neutral as she looks at you. A nod of acknowledgment is all that is needed to satisfy you as you smile at her before looking away.

It's been like that since that night—the same acknowledgment, and it's all Wednesday can think about.

They've bonded, haven't they? Enid certainly said so. And if that was the case, why were you the same distance away? 

Wednesday can only think back to that night. 

"Black wings are the mark of a night faerie."

Wednesday doesn't rush her response. This was one of those moments, the one Enid was constantly telling her to be delicate about. 

The right words—Wednesday needed the right words.

It reminded her of when she first encountered the photo of herself from Rowan, and how she, too, thought she was destined for (bad) calamity. 

"Sometimes the dark doesn't cause calamity but rather is what no one expects at all," Wednesday looks at you, her eyes focused. "The solution."

But even as you give Wednesday a soft smile, she can see something dim behind your eyes, and the taste of utter defeat burns Wednesday's throat, knowing it wasn't the exact right words.

So, Wednesday was at a standstill. 

And she was also far from finding a nickname for you that she'd allow everyone to call you. The only bright side was everyone else was somehow doing worse than her with their suggestions despite her not having offered anything at all. 

There was a distance, Wednesday realizes. One that you seemed content to let be. 

Wednesday feels jolted by the realization that she's been fairly spoiled and blessed in her life (even if she didn't feel it at the moment). It had always been Wednesday who chose to keep her distance from those around her. She had her own interests and had been content to put them above everyone else. 

But ever since coming to Nevermore, her little ragtag of misfits—especially Enid—had intrusively barged into her personal space. Wednesday only had to take a small step forward, and everyone else had closed the distance. 

Everyone except you.

Wednesday Addams would never deny the fact that she wasn't free from things like desire. She desired many things: rain, mysteries, victory, the fear of others, and whatever things could be described as morbid.

She told her mother that she would never be like her—never fall in love, be a housewife, or have a family. And she had meant it at that moment (although she was very sure she'll never be a housewife). 

And really, it's not like Wednesday loves you or anything. But Wednesday has once felt enough to kiss a boy (who turned out to be a serial killer), and when she thinks of Enid, Eugene, and Xavier, she does feel like she has a strange little group to call a family of her own. She begrudgingly accepts Bianca to something like a distant, irritating cousin.

You piqued her curiosity very early on with your unintrusive smiles and waves. Now, you had an enigmatic background and a perhaps sense of self-preservation to remain distant. But it was too late. 

Wednesday desires mystery, and she desires you. 

They're not mutually exclusive.

⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷

Blood drips down from Wednesday's cheek. She touches her finger to the cut and looks at it curiously.

"You're distracted, Addams." 

Wednesday looks back to Bianca, who somehow manages to look both smug and concerned. While being beaten by Bianca again still leaves the feeling of self-pity, her rage is directed at herself. 

"And yet, you barely managed to defeat me," Wednesday drawls. 

"Well, pull your head out of the dark, gray clouds and focus so I can put you in your place again without your excuses," Bianca shoots back without hesitation. 

Wednesday starts to move into position when the coach halts it and tells her to go to the infirmary to take care of her cut. Clenching her jaw, Wednesday puts her equipment away and leaves the room. 

The cut stings, and Wednesday knows it was her own fault that Bianca cut her too deep. She was distracted. She has been lately ever since her realization that if she wanted to close the distance, she would have to be the one to intrude in your space. 

The problem was that Wednesday only knew how to intrude into someone's space when she was suspicious they were a serial killer—accusing and without permission. 

And thus, Wednesday has been afflicted with hypothetical conversations her brain refused to stop producing. It was costing her sleep, and now the victories that should belong to her. 

"Wednesday!" 

Turning around, Wednesday sees Enid skipping her way down toward her. The blonde frowns when she glances at Wednesday's cheek and pulls out a white handkerchief. It’s the only colorless fabric she owns. "Fencing?"

Wednesday nods, accepting the cloth as she dabs it against her face, wiping at her jaw where it dripped.

"Lose?" Enid winces in pain. 

A dark look crosses Wednesday's face, and Enid quickly changes the subject. 

"Are you excited for parents' weekend?" Enid asks. "I'm surprised Principal Weems has made it so early in the year. I hear she's making changes so parents visit once at the beginning of the year and once at the end of the year."

"If by excited you mean begrudgingly accepted it, yes," Wednesday monotones.

"But it'll be interesting to see who the fairy godmother's parents will be, right?" Enid rocks on her toes in anticipation. "I heard her dad is, like, a high lord or something."

The comment does spark interest in Wednesday. She is curious about the two people who had loved you so much that they took you out of isolation and parted ways with you in this safe haven. 

Assuming that they could visit you, anyway.

"That's also a witless sobriquet," Wednesday comments absentmindedly.

Enid only huffs. 

"Enid," Wednesday calls evenly.

"Hm?"

"How—why—" Wednesday takes a deep breath as her eyes close for a moment. When she opens them, she finds Enid staring at her curiously with an amused smile. Wednesday knows it was because she’s never this inarticulate, but Enid is gracious enough to not say anything about it and waits patiently for her to gather her thoughts. 

As patiently as she can, it seems.

"Not to rush you, but you should probably hurry on and say whatever it is you want to say so you can get on to the infirmary. The cut is starting to soak through my handkerchief," Enid gently pushes. 

Wednesday grinds her teeth for a second before sighing through her nose lightly. 

"How did you decide on how you wanted to be closer to me?" Wednesday asks, leaving as much emotion out of her tone as possible but cringing at her sentence. "Especially since it was obvious I wanted to keep my distance."

Enid's lip twitches, and Wednesday already regrets asking, but before she can turn around and leave, Enid answers. "Well, in your case, I think it was easier for me to tell you didn't really want to be alone, so I didn't ask."

Wednesday makes a vague face of disgust while Enid continues on. 

"But in your case," Enid stresses, smirking at Wednesday's unblinking face. "I think you should ask to do something together to be closer."

Wednesday's eyes flicker as she processes Enid's words. The memory of Tyler's efforts to take her to the catacomb, how he set up lights, and a movie pops into her mind. 

"Like a date," Wednesday says slowly, and horrification begins to set in.

"Er, I think that's a little too advanced for you," Enid cuts in quickly. "Maybe just try to find a way to spend more time together casually but consistently."

Enid looks at her watch. "Oh, I gotta go. Yoko and I need to start planning for the boat race this year." With that, Enid happily skips down the hallway. She turns around once and yells, "Oh, don't forget to wash the blood out of my handkerchief. I trust you'll know how to do that!"

Wednesday nods before she continues on her way to the infirmary. When she enters, she sees Weems talking to someone sitting on a cot behind the curtains. 

"I'm happy you've found a friend to help you, but I'm concerned—" Weems stops as soon as she sees Wednesday, frowning as she sees the cut and then sighs, "Coach Vlad had told me you and Bianca frequently spared without your helmets. I had hoped he was joking."

The curtains suddenly opened, and Wednesday wasn’t surprised. She could tell it was you by your silhouette. 

Immediately the hypothetical conversations she's been creating pops into her mind again.

"Hi, Wednesday," you smile with a short wave before you eye her cut. "Hope the other person looks worse off."

Weems clicks her tongue in disapproval, but Wednesday's lip twitches upward slightly. 

The principal is about to say something else when a small, lanky boy walks in. He clutches his wrist, but Wednesday can’t make out his feature with his overgrown fringe covering his eyes. He seems to see just fine, though, as his posture stiffens at the sight of you.

"O-Oh, F-Fae," he starts to say but then stutters. "No, sorry, I-I mean—"

"It's fine," you wave away his attempt at saying your name. "Did you hurt yourself in psychitect?"

He nods.

"I suppose I should go find the nurse. She went down to the cafeteria for a quick snack," Weems says before she looks at you. "We'll finish our conversation later."

"It's fine," you wave it off. "I can help Wednesday. We’ll be gone before you’re back."

Weems purses her lips in disapproval, but you just give her a look back. Sighing, Weems nods before she turns to walk out. "Glad to see you fitting in more this year, Wednesday. It's pleasant to see you in my office less."

"It's too early in the year still," Wednesday haughtily replies, eyes trailing Weems as she leaves the room. 

"Come along, Henry."

Once alone, Wednesday's eyes trail to you. 

"Well, take a seat," you stand up and gesture to the cot near her as you rummage through the cabinets. 

"I can do it myself."

"I'm sure you can," you absently say as you move bottles back and forth in search of something. When you find it, you turn around with a lopsided smile. "But I assure you I can do it better."

Wednesday only raises her eyes challengingly but sits down as you sit on the stool and roll over to her. She sits primly with her back straight as a rod when you come closer and closer. To allow your proximity, Wednesday has to open her legs for you to come between, being the one wearing pants. 

"Pretty nasty cut," you mumble, and Wednesday can smell grape lollipops. 

"I've had worse."

"Bragging, I see," you smirk as you put on gloves and use tweezers to soak a gauze pad in saline solution. "Xavier did tell me you took an arrow for him once."

"Xavier has an abnormally large mouth," Wednesday speaks tersely with a furrow of her brows. When you gently dab the soaked gauze pad on her cheek, it doesn’t sting, but Wednesday clenches her fists closed with your face so close. 

"I think he was bragging," you continue to dab. "Enid and Eugene have similar anecdotes. Thing, as well."

Wednesday huffs while you merely grin lightly. 

Enid's words and Wednesday's haunted hypotheticals were plaguing her again. 

"What were you and Weems talking about?" Wednesday asks to redirect the conversation. She had been curious since she walked in, as it seemed like a rather serious conversation. 

The thoughts aren’t going away.

"She was checking in after I told the nurse I had a friend to help me apply the medicine, and I'd only come in to do monthly examinations or if something serious happened."

Sometimes Wednesday isn’t used to people answering her questions so quickly and without pretense. She’s used to them being defensive. 

'Thing shouldn't be applying your medicine.' Wednesday clenches her jaw, refusing to let the thought slip out of her mouth. With you in sight, her mind refuses to stop the compulsive hypothetical conversations.

"I see," Wednesday says slowly. "And why is Weems so particularly concerned?"

"She's my legal guardian," you answer straightforwardly, inspecting Wednesday's wound as the bleeding slows. 

The sudden new information makes Wednesday blink. 

'If you use your brain and think about it, Thing is a disembodied hand with stitches all over. Do you think that's sanitary? Forget the fact that Thing is vain and does well in washing his hand and moisturizes.'

You put down the tweezers and take off the gloves. Lifting your fingertips, you hover them over the cut. Wednesday watches as you concentrate before warmth and tiny little firefly-like lights seeps onto her cheek. 

When it’s over, the sting of the cut is gone. Wednesday lifts her hand to touch her cheek and feels a thin bump of her skin scarred over. 

'I understand your need for secrecy. I've been told I lack regard for others’ safety but I have no intentions of being the reason for your untimely death.'

You turn to grab a tub of cream and unscrew the lid. "It's not exactly perfect, but better than the usual way," you say as if apologizing. "I'll get better at it as my wings heal."

"Your powers are linked to your wings?"

'And of course, I understand you don't prefer the nurse's care. Her touch is indelicate and I imagine your wings are sensitive.'

You hum and say quietly, "A lot of it, yes. Our wings are embedded into our backs and take root inside our bodies. It's why we usually die without our wings."

"And Weems is your guardian?" 

You nod. "Yes. As you know faeries stay in isolation, and faeries with my wings are...outcasts," you smirk. "My parents can't look after me like regular parents do because the more in contact with me they are, the more it exposes my location."

It makes sense. Whoever had done such abominable things to your wings should stay far, far away—lest they want Wednesday to find a way to paralyze them without taking their wings. 

Still.

Wednesday studies your face as you apply the scarring cream. Your parents must've been heartbroken and scared witless to take you out of isolation and have Weems take over guardianship. 

'As such, I must take responsibility for Thing and offer to take his place in applying your medication. This is an acceptable trade, is it not?'

"Your parents must've adored you so," Wednesday comments. She can certainly relate to that as she internally rolls her eyes at the thought of her own parents. 

You finish applying the cream, and Wednesday has had enough of the repetitive one-sided conversation in her head. It was going to drive her crazy—and not the respectable kind. 

But just as Wednesday opens her mouth to get it over with, her words die on her tongue when you look at her.

It was the same smile as that night, the one that made Wednesday's throat burn with utter defeat.

You must miss them. 

"Yes, I suppose they did."

⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷

Wednesday lies in bed, staring at the ceiling, and the incessant noise of Enid's snoring is somehow amplifying her thoughts.

This. Is. Inconceivable. 

The thing with Wednesday is that she had an obsessive personality. That's why solving mysteries is such a good pastime for her. 

The only problem is when the mystery hasn't been solved, and she is left alone with the agonizing cliffhanger. 

What if the words hadn't died on her tongue? 

What if she had said them anyway, despite your smile that seemed to make Wednesday miserable. 

But the truth of the matter is that she didn't, and now, she is stuck in bed coming up with new hypothetical conversations that revolve around one matter.

'Thing is indisposed.'

'I'm offering my company and assistance. Thing may stay as an additional conversationalist.'

'Surely, you must have more to say to me daily than greeting me.'

'Thing has questionable scalpel skills; therefore, I believe he's been applying your medication inaccurately. I can't have your wings—your life source—healing poorly on my hands.'

This is all Enid's fault, Wednesday determines. She turns her head to watch her peacefully, blissfully ignorant sleeping roommate. 

Maybe she should come through with the threat of smothering Enid with a pillow. But in the end, Wednesday turns her head back to the ceiling. 

It’s then that Thing opens the door and scuttles across the room in haste. She sits up as he climbs up onto her bed and pulls at her blanket.

"What is it, Thing?" Wednesday frowns.

Thing begins signing and tapping.

"Speak clearly, Thing. You're skipping words."

Thing taps frustratedly but slows down.

"Someone…slapped…back today?" Wednesday raises her brow but then frowns deeper. "It opened a wound up...and you can't fix it yourself? Need help...now?"

Thing taps multiple times to signify that is correct. Immediately, Wednesday gets out of bed and grabs her sweater. 

"Where is she? Her room or her studio?" Wednesday asks as she shoves on her shoes, and Thing climbs onto her shoulder.

⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷

When Wednesday arrives at your studio, following the same sequence she did weeks ago, she finds you fallen on the ground, your wings just barely over your shoulder as you hold yourself up by your elbows.

Blood drips down and soaks your feathers, somehow making obsidian look even darker. 

Wednesday walks up quickly and crouches beside you, and you barely notice her until she speaks. "Who did this to you? I want their name." She seethes.

"It was...an accident," you raggedly breathe. "She didn't know. Meant to be a friendly goodnight clap on the back."

But that doesn’t soothe Wednesday at all. Not when the back of your dress shirt is dredged in so much blood that there isn’t even a spot of white left, and your right wing twitching in obvious pain.

"What can I do?" Wednesday demands, but there was a softness to it that is almost desperation. 

You swallow. "I—I need you to move my wing over my shoulder more—until I can reach the cut to seal it." You screw your eyea shut. "I can't move it on my own."

Wednesday nods. She carefully reaches out to touch your wing.

It is velvety.

Wednesday imagines it would've been more magnificent to the touch had your feathers not been weighed down and saturated by blood. 

As Wednesday begins to spread your wing up and over, your breath hitches sharply.

Wednesday stops.

"Don't stop," you grit your teeth, taking in ragged breaths. "It hurts the longer you drag it out. Just—be gentle."

Gentle is not often used to describe Wednesday. She’s sharp and jagged, like broken glass. That's probably why she still plans to discover who did this to you and slowly butcher them—accident or not—as she carefully keeps moving your wing.

When it’s finally close enough for you to reach, Wednesday watches you use healing magic for the second time that day. You slump onto the grass, exhausted. 

Thing grabs Wednesday's attention to the pile of towels neatly folded in a tree's hollow trunk. She finds a set of spare clothing and grabs those along with the towels. 

"Is the pond water sterile?"

You nod with your eyes shut.

Wednesday places the shirt next to you and then turns to the pond, and sticks her hand in to find it was lukewarm before she soaks one of the towels.

“Change into this clean shirt for now,” Wednesday orders you but her tone lacks the usual bite. She wrings the towel and passes it to Thing. “Help her wipe the blood on her back. Turn around as she changes,” Wednesday warns Thing.

Wednesday turns away and keeps her focus on the pond, soaking the next towel. Thing taps her leg when they’re done. You look extra tired from having to change shirts but it was better than letting your bloody shirt make you sticky and then crust over before you could shower. You seem to realize it yourself as you make an effort to keep your dirty wings from soaking your shirt again.

When she returns to you, Wednesday cleans the blood out of your feathers gently but thoroughly. When she uses her fingers to brush aside some of the feathers, your wings trill. 

"Tickles," you mumble. 

Wednesday doesn’t comment as she continues until the blood is washed out and properly dried. Thing hands her the ointment you use and begins to apply the salve with precision. 

It’s quiet.

Peaceful.

Wednesday feels the tension in her shoulders leave now that you are fine and she is here. 

All those hypothetical thoughts and conversations flew right out of her head.

"I will apply this for you from now on."

You open one eye to peek at Wednesday, and she stares back at you as if to challenge her. You close your eye again and nod.

"Thanks for your services, Thing," you mumble tiredly. "Your severance package will be a bottle of dew drops."

PART FOUR

[anewstartrekfan]

Why I like Kirk so much and why I think he didn’t resonate as much with general audiences as Spock did

I think what Gene Roddenberry and the rest of the tos crew underestimated is how powerful knowledge of a character can be when they thought Kirk would be popular over Spock. As season 1 progresses while you do get information about both Kirk and Spock peppered through out, how much and how it’s conveyed is important.

Spock is Stoic yes, but surprisingly he talks about his past and what it means to be Vulcan a lot. And other characters comment on Vulcans too like McCoy describing where a Vulcan heart is. Even moving onto season 2, when Spock truly, desperately, does not want to explain what Pon Farr is or that Sarek is his father, he admits these things under pressure. And all of this information is what’s gives the audience an idea of what informs his actions.

Jim Kirk however, despite being very outgoing and charismatic, very rarely talks about himself. With few exceptions, every time you do learn something about his past it’s because someone else explains it or points it out. You’ve got where no man has gone before where Gary talked about their academy days, The naked time while Spock talked about his regrets, Kirk vents that he wants a personal connection and then is literally the only person who is able to will the virus to stop effecting him (on his own I mean) just long enough for McCoy to give him the cure.

The Android copy of Kirk tells us about Kirk’s brother Sam, in Conscience of the king literally everyone except Kirk explains his tragic tarsus iv backstory, we never find out who the Ruth girl is in shore leave, and it’s Bones that brings up Sam lives on Deneva. Even in season 2 in the worst episode ever, the deadly years, when Kirk is in a room alone with his ex fiancé, she explains their history. Not Kirk.

This man is allergic to talking about himself I love it.

Edit: Whenever Jim does even sorta talk about his past, it’s always in the context of what the other people he’s talking to know about it. Take Tarsus IV. Spock tells Jim that he checked the same library records. So when Jim finally opens up at the end of the conversation, it’s information Spock and Bones already know. “I saw him [Kodos] once, 20 years ago.” Then about 10 minutes later when he’s talking with Kodos and trying to get proof, he gives Kodos a copy of the speech Jim heard him read 20 years ago. Saying that he memorized the words. Again, these are things only the two of them would know about. It’s not something Jim exclusively went through.

Then later in Obsession when Jim is talking about his prior experience with the fog, everything he references was in the report he made after the Farragut disaster that he knows Spock and Bones read. There is no new information he reveals about what happened to him or even how he felt about it. Bones has to be the one to say Jim was wrecked with guilt because at the end of the day, Jim will never willingly talk about his past without knowing or thinking the other person he’s talking to has the same information. He will not reveal anything new 95% of the time.

Anyway back to the old blog.

While I’d argue conscience of the king does most of the work you would ever need to explain why Kirk is the way he is, the fact is we don’t learn much about his past through him. Instead it’s Kirk’s actions that inform our understanding of him. Which on some level I like a lot. It’s rare that a tv series doesn’t lean heavily into some tragic backstory explaining why a character acts the way they do. But it isn’t just he doesn’t have multiple tragic backstories. It’s what we know nothing about his past in general. Ffs we didn’t learn he grew up in Iowa until Star Trek IV. It might not even be Riverside! That town just claimed it for themselves and everyone rolled with it.

Edit: SNW did confirm after almost 40 years that riverside is Kirk’s birthplace.

The audience never truly closes the gap with Kirk because he never willingly opens up (at least where I am in the show idk maybe the movies change this) So comparatively Spock just had more going on.

[mrs--edge]

I'd like to thank you for your help as we've ventured into this. The permanence of my denial is for a different reason but with the same results. Your captions, answers to questions, and general advice have really helped a lot. My wife, like you, doesn't want to discuss it much. Basically, her attitude is this is where we are now and discussing it won't change that. I'm finding that not being able to discuss it much is actually another element of denial. She doesn't want to be reminded by my questions about how things were before. So, not discussing it is helping her fully accept my vixskin as the replacement for my penis. Were you dominant at all before you two began this? My wife isn't but I'm certainly seeing some elements of her being a little more assertive since we've began this. Nothing crazy. Just little things here and there. Thank you again for the help from both you and Tom. If you ever wonder if all the effort is worth it, doing this blog. I'm here to tell you that I'm very appreciative of what you're both doing.

I do not know your wife, but I will say that I didn't care to talk about it all that much with my husband back when we started. I understand now that it was a new thing and he was really excited, but at the time it felt like it was all I heard about. Things have calmed down for the both of us, and honestly, we almost never talk about it at all anymore.

I think that my attitude is a lot like how your wife may be approaching this. Being locked is his new life. He will always be locked, he will always use the Vixskin Ranger, and he will never be inside me again. That's it. There is nothing else to discuss. Well... except that when we make love I do like to remind him.

I don't think I was particularly dominant, as in, like a sex domme or anything. But I do like knowing that I'm in charge, and I can say that taking all the control, the decision making for locking him has given me a sense of confidence about our relationship.

[svsss-fanon-exposed]

I've got a question! I know based on your blog that Ming Fan is Shen Qingqiu's senior disciple, but does that mean he was the first disciple Shen Qingqiu accepted period, or that he was the first one Shen Qingqiu promoted to inner disciple? I don't recall any mention of inner vs outer disciples prior to the Airplane extras, so I'm a bit unclear on how that might related to the position of senior disciple.

Sorta related, but do you think there may still have been other young disciples on the peak, that were selected by the previous peak lord, when Shen Qingqiu took over? I'm uncertain if the peak lords would stop selecting new disciples in anticipation of their ascension, or they would continue to select them as usual.

I suppose they could do something like bringing their designated successors along with them to the selections, then making their choices with said successor's input. Or perhaps it's entirely up to the peak lord, with some continuing to make selections on their own, others allowing their successors to advise them, and still others no longer accepting disciples (plus Bai Zhan continuing to do it's own thing, where nobody is selected, but anyone can climb the mountain and join).

At this point, I'm seriously considering making an "Explaining Canon" post about the workings and rankings of CQM as far as we know, including the different types of disciples, acceptance policies, etc. because it can get pretty confusing, and there are a lot of gaps in what canon tells us that can sometimes be filled via genre convention, but other times it's a toss-up/entirely up to interpretation. SVSSS kind of plays fast and loose with worldbuilding in general, and we already know that PIDW does too, so it does sort of make sense but at the same time it can be so confusing for fic writers!

This got long so, answer below the cut:

Ming Fan being Senior Disciple means that he is currently the most senior of Shen Qingqiu's personal disciples/Qing Jing Peak's inner disciples (for CQM, I believe those terms are somewhat interchangeable but I'll explain them more in another post). It doesn't mean he was the very first one Shen Qingqiu took-- though he was probably one of the first. We do know that SQQ has driven disciples off the peak before, so it's possible that Ming Fan had a shixiong or two that are no longer present, but it's also equally likely that he was, in fact, the first inner disciple. As for a promotion, disciples don't have to start as outer disciple and then become inner disciple-- that was SQH's situation, but Luo Binghe seems to be an inner/personal disciple from when he was first selected. My interpretation is that inner disciples are those personally selected by the peak lord, while outer disciples are either those selected by other members of the PL's generation, or those who asked to be taken into the peak and were accepted, but not actually chosen themselves. Different peaks might also have different admission policies-- perhaps An Ding Peak accepts a larger amount of outer disciples due to the manpower required, while Qing Jing Peak's ranks may be thinner. This, of course, is all just speculation-- there are plenty of possible explanations, since canon doesn't give us much to go off of in this sort of thing.

We do know that there are disciples of the PLs' generation on the mountain, with a specific example being Bai Zhan's Ji Jue, but there's nothing to say when the former generation stopped accepting disciples. It is common in xianxia, though, for a master to close their gates and stop accepting disciples altogether-- oftentimes the 关门弟子 character type I discussed here can be an exception to this, taken in after the master has normally stopped accepting disciples. My guess is that, most likely, a peak lord would stop taking young personal disciples before ascension, but there's nothing to say distinctly one way or another. Personally, though, I think it highly likely that Shen Qingqiu was also 关门弟子, and there were no others accepted after him, but that's just my headcanon.

For QJP specifically, we don't see any members aside from SQQ and his direct disciples. This doesn't necessarily mean there are no others, as we know that SQQ was not the only member of the peak when he became PL, but QJP also may be a fairly small peak, and SQQ's shixiong may have decided to leave or go often travelling after he became peak lord-- otherwise, there are other members of the peak and their disciples, we just never meet any of them in SVSSS and they are not mentioned.

I wouldn't be surprised if successors went along to the selection, perhaps even selecting their first disciples before the former generation's ascension-- this would occur once the former generation had officially closed their gates and stopped accepting disciples, passing the lineage on to their successors. It also wouldn't be surprising for successors to simply attend the selection in order to observe it. We do know that Cang Qiong holds a recruitment once every year-- so there is some way for new disciples to get onto the peak, whether it is the successors taking their own, or other members of the current leadership generation, or outer disciples being accepted without a specific master.

Ultimately, I think that CQM's Peak Lords have a lot of freedom in how they run their peaks, including how they select disciples, when they close their gates, etc. CQM really does seem, a lot of times, to be more like twelve individual small sects rolled up into one, instead of one fully cohesive unit with policies and customs uniform across the peaks. At the end of the day, we don't have very much canonical worldbuilding, so a lot of things are up for interpretation when writing fics.

If you want some ideas on how things might be run, feel free to take ideas from other xianxia/wuxia novels-- for example, Tai Sui by priest and Zhu Xian by Xiao Ding both have fairly comprehensive political/sect worldbuilding, where MXTX's worldbuilding is a bit more loose/only made note of when specifically relevant to the plot, which is more closely focused on relationships between characters.

In the end, I would absolutely love to have more canon information regarding Cang Qiong's disciple selection, and sect rules and demographics in general, as well as more about the ascension of peak lords and transfer of power... sadly, it seems we will have to forever make do with headcanons.

[hellsite-proteins]

I LOVE THIS BLOG… would you be able to explain the stuff you’re doing to someone who knows nothing about proteins? all I can remember is something to do with dna ..?

of course! ill do my best to give an entry level crash course here, but if any of this is unclear please leave a comment or send an ask so i can better explain.

DISCLAIMER: all of this has been simplified, and because biology is messy, there are exceptions to pretty much everything i've said. the point is not to give a perfect explanation, but rather a general understanding

the central dogma of molecular biology is pretty much our version of "the mitochondria is the powerhouse of the cell", and since you've alluded to it already, i'll start there. it states that genetic information goes from DNA to RNA to proteins. inside of almost any cell is DNA, which codes for all of the genetic information allowing the cell to function. for our purposes right now, just think of DNA as an instruction manual. when a protein is going to be made, the part of the DNA sequence encoding it is copied over to make a RNA sequence.

RNA is structurally similar to DNA, but while DNA is usually found as a double helix (with two complementary strands), RNA is more often single stranded. it is less stable than DNA, so it does not work as well for long term information storage, but is smaller and can cary out numerous crucial functions.

prokaryotes are things like bacteria, and are distinct from eukaryotes (which includes us) because they lack a nucleus. this means that their DNA is loose inside their cell, rather than sectioned away. in prokaryotes, transcription (which copies information from DNA -> RNA) and translation (which is the process of going from RNA -> proteins) can happen at the same time, while in eukaryotes these processes are separated, as DNA is too large to leave the nucleus. messenger RNA (mRNA) is the specific type of RNA used to code for proteins in all cells. inside a eukaryotic cell, mRNA must be processed to increase its stability and allow it to exit the nucleus.

now, getting to the part about proteins! proteins are made through a process called translation, which translates the information stored using a sequence of nucleic acids on RNA to a string of amino acids known as a protein. each set of three nucleic acids, which on mRNA can be A, U, C or G, makes up the codon for one amino acid. the code is referred to as 'degenerate', since there is a lot of redundancy built in and so some information is lost along the way. there are more possible codons than there are amino acids, and so there is a lot of overlap with several codons coding for the same amino acid.

translation is accomplished using organelles known as ribosomes. these bind to the relevant RNA sequence and help join together the amino acids that are encoded by their sequence, forming peptide bonds. this is done using another specialized type of RNA called a transfer RNA (tRNA), which sticks temporarily to the three-letter codon on the mRNA and carries the corresponding amino acid to the ribosome so that it can be joined with the others in the sequence. all proteins start with the same codon (AUG), and subsequent amino acids are added one at a time. RNA and proteins both have directionality, which means that the two different ends of these molecules are not the same, and the direction you read the sequence in matters.

as a protein is assembled, the N terminal end is put together first, and so this part exits the ribosome while the rest is still being built. at this point, it comes in contact with the liquid inside the cell, and starts to bend itself into different shapes in order to make the most thermodynamically stable structure. this happens spontaneously, and is an effort to minimize the free energy of the protein and the surrounding water molecules. basically, everything wants to be in a state that requires as little energy as possible, and will fold itself to get there. think of this as a similar process to getting home after a long day, and trying to make yourself comfortable as fast as possible. protein folding is the equivalent to you taking off your jeans and lying down on your couch.

the thing is, proteins are complicated, and they need to fold quickly, because the inside of a cell is crowded and chaotic. the way they fold is influenced by several different factors, including how fast translation takes place and whether anything else is nearby to help them fold correctly. proteins do countless different highly specific things in any given cell, and their ability to function is based entirely around their structure. just like how you probably have numerous different tools in your home made of plastic, but each one is a different shape and therefore does something unique. if someone came along and melted your plastic cups until they were completely deformed, they wouldn't be of much use.

the primary structure of a protein is its amino acid sequence, and the secondary structure is made by interactions between nearby backbone atoms, but the tertiary structure is the main thing you'll see looking at any real protein structure. it is the combination of interactions between all the atoms within one amino acid chain. if this gets damaged (which can happen with things like heat and strong chemicals), the protein is said to be denatured. some proteins also have a quaternary structure, which is formed as different folded chains of amino acids each making up one subunit assemble together to make a bigger, more complicated protein.

whether they folded wrong from the start (like your plastic cup getting made with a hole in the bottom at the factory) or they started off fine but then got broken (like your plastic cup melting after you leave it on the hot stove), misfolded proteins are the wrong shape and therefore cannot perform their function correctly. these can do a lot of damage in an organism, and are generally a waste of resources to keep around, so they get destroyed and their parts are recycled.

hope this helps!

letter sequence in this ask matching protein-coding amino acids:

ILVETHISLGwldyealeteplainthestffyredingtsmenewhknwsnthingatprteinsallIcanrememerissmethingtdwithdna

protein guy analysis:

this protein is strange, terrible and filled with holes! just like many of the other structures, the myriad of loops want nothing to do with each other, and everything is all over the place. this whole structure is disordered and likely wiggling around trying to find something else to stick to and mess with. just a toxic trainwreck that should never have existed.

predicted protein structure:

[thecoolerliauditore]

THE SHEPSCAPADES COMIC! That was to me (and from my perspective to the fandom) the turning point of “ok, im not imagining this”. It doesn’t change any dialogue or anything, it just gives the characters facial expressions and yet it’s almost impossible to interpret the interaction in any way other than the relationship not being good.

The dl era, to me, was a lot of trying to ignore the implication of ranchers fanon lore being that, for once, someone is being nice to Jimmy. People could see the difference in their interactions, which made the abusive behaviour all the more difficult to ignore, and yet acknowledging this directly would be labelled shipping discourse and no one wants to be THAT fan, right? But the tension growing was palpable.

I also would like to add that once I decided to scroll through anti-toxic fh blogs to try and understand why they think like that and… a lot of it was just “well it makes me feel gross”? And I get it. Cannibalism and mass murder are, to most of us, a very distant concept, so it’s more comfortable to engage with than the horrors of the mundane, especially when applied to a queer character. But that doesn’t mean it’s any better than talking about domestic abuse.

The last paragraph is phrased weird but i don’t know how to write it better so i hope it’s understandable.

That comic was patient zero in "oh my god other people see it too" for so many of us, I think. And yeah like you said it sticks very close to what happened taking into account tone of voice and everything. Adaptations of that sequence are like an almost surefire test to figure out what someone's interpretation of FH's relationship is and I think that's wonderful.

Big agree on the ranchers lore and I would argue Pearl's POV also has a similar effect where it forces you to acknowledge Scott not being the best ever. Funnily enough I watched the ranchers pov before the FH pov and didn't really see any of the post-FH horrors until I watched FH. I just kind of assumed when people said Tango was the first person who treated Jimmy as an equal they were putting "and Scott too but that was a season ago" in footnotes. But no they meant full-time and they'd be right lmao

My favourite example of Jimmy expecting the worst is this interaction he has with Bdubs where he essentially gets a bucket for free when the ranchers were struggling for iron and tells him to not tell Tango because he's scared he'll get yelled at. Like there is literally nothing Jimmy has done here that would be remotely considered reasonable to yell at him for but he's so afraid of having agency and making his own decisions at this point he just defaults to assuming his partner will be upset at him. (FYI I think this is more a result of how everyone treats him - Southlanders certainly did not help - but getting mad at Jimmy for doing literally anything except sit still was something Scott was especially privy to)

Don't worry I think your point was clear enough on that last paragraph, I kind of roll my eyes when people try to use distance as an excuse to justify why some dark topics are okay but others aren't, but I can't talk too much about this because I find it annoying and will probably end up saying something that feels mean lol.

Redirecting this once again to Bree's post about how hostile the language people use when talking about this discourse is to abuse victims e.g. "why can't you be NORMAL and write about NORMAL relationships and let them be NORMAL" which I think partially comes as a direct result of refusing to engage in abuse storylines and thus not being sympathetic to these portrayals or the people who write them.

And aside from that it's not even like. abuse and toxic relationships themselves are the issue sometimes. Obviously generalizing here a bit but I see a lot of the same people who find toxic fh "gross" gas up interpretations where Jimmy cheats on Scott or otherwise treats Scott horribly. Not to mention Pearl and her storyline getting turned into "girl who is mad gay man won't date her".

It just uh. sometimes feels as though the "grossness" is coming from a need to defend Scott's honour than a need to disengage with these themes entirely, which rubs me the wrong way.

(not to mention that I do think calling abuse storylines "gross" in of itself might have some unfun implications attached but I've said enough)

[soursvgar]

hii !! i have been absolutely obsessed with your writing every since i found your blog 💖 the way you write each character is just oshshqjs SO good (especially lucifer!!i see him as a hard character to write but yours is just *CHEFSKISS*)

if its okay i would like to request the brothers reacting to an mc who strongly reeks of their sin, i would like to think that the brothers sense their sin on humans so them coming across of one who is just bathing in it would be interesting, whether mc acts on it or not its up to 💖💖

The brothers with MC that matches their sin ♡

A/N: thank you so very much, this is a huge compliment 🥺 this is actually such an incredible prompt and i love this idea so much, it was challenging but really fun! i really hope i managed to convey your intentions with this request ;v;

Pairing: demon brothers x gender neutral reader

Warnings: Since this inherently revolve around the topic of sin there are some warnings, so please read at your own discretion! (food mentions and implied ED to some level in beel's part, as well as insecurity and mental health themes in general, also just basically demons being demons?)

✧･ﾟ: *✧･ﾟ:*

ෆ ━ Lucifer ━ ෆ

Pride is the sin used to weaponize the devil himself, a deceitful perception of the self that led to the downfall of many━ but not yours. Adversative to the concept of humility, you exult in your achievements and flaunt your success; you've always believed that preeminence should be celebrated. Needless to say, you did not draw the same praise from others, judging you as arrogant and vain. Thus, a new beginning in a new place was exactly right for you. But what happens when two entities harboring hubris are put together?

The moment you walk in, Lucifer has you all figured out, or so he believes, at least. Your conceit is so prominent it tugs on every cell in his body. But to his dismay, the act you put among demons is the antithesis to the image you exude. You portray a clean, humble image of an innocent human, ready to cleanse a rotten world. He will force it out of you, though, there is no need to be modest, not with him. And it will be exceptional, a beautiful display of your sin.

"There's nothing more attractive than a corrupted soul." He exclaims when he finally earns a scarce chance to be alone with you, signaling you to join him on the couch. "Us demons..." He trails off, eyes skimming over your features. "We can't resist the temptation to taint a pure soul, but when we sense a human with a sin already ingrained in them, it's even more impossible to defy our instincts." Explaining, he pulls you closer by your collar when you take your seat next to him. "Will you be good and start acting upon yours━ or shall I say, mine? Or do I have to provoke you to do so?"

✧･ﾟ: *✧･ﾟ:*

ෆ ━ Mammon ━ ෆ

For anyone who is familiar with you, or even just spent a couple minutes in your company, it is clear that you are ambitious, and always strive for the most. You need to present yourself in the best luxurious brands, you absolutely have to acquire the most advanced, cutting-edge technology, and you would never be caught with a cheap knock off of anything, down to the smallest, most mundane items. Throughout your entire life you had been insatiable, forever on the pursuit for the next big thing; careers, relationships, you always desired something better than what you already had, which was going pretty badly for you. That is, until you reached the devildom.

When Mammon meets you it’s like he finally finds his partner in crime. It's your visuals that speak to him first, your glamorous attire was the first piece to a puzzle that piqued his curiosity. However, it's only when he delves deeper, picking your brain during your time spent together, that he realizes how deep the sin runs within you. But is it morally wrong to feed into that sin? Will he break some kind of a promise to Lucifer or Diavolo for tainting your delicate soul if he only fosters an already existent feature? And is he even a demon if he wouldn't at least try?

"Oy." He calls out to you from the further corner of the room. "I'm about to sneak out and hit the casino, do ya wanna- like, y'know, join maybe? First few rounds are on me- unless ya end up losing." He examines your body language as you listen intently, and by the looks of it, it tells him that it's game on.

✧･ﾟ: *✧･ﾟ:*

ෆ ━ Leviathan ━ ෆ

Veiled under the surface, lies a thin layer of covetousness under your compliments. It's not that you are unable to genuinely flatter, it's just that you are certain it is your wishes that should be coming true, your efforts coming to fruition, not others'. It had been a bad habit that you were unable to shake, forever to be concealed in the depths of your wishful, jealous heart. Unless?

When you first arrived, Leviathan was unfazed; you were just another human, a species he was well acquainted with, and found pretty boring - faultless, innocent normies with their rules and integrity. Once he makes the effort to step out of his room and actually meet you, though, something immediately clicks in him, you are different. Leviathan sees through you, your sin glows in his eyes, responding to his presence as it engulfs you in its aura. He had never perceived a human beautiful before, not until he senses the envy waiting to ooze out of you, and he can't wait to release it, wanting to see your malice shine in its full glory.

"Hey best friend." Leviathan grins at you, hand delicately caressing your cheek as he speaks, his tone soft and mellow. "Remember when I beat you in your favorite game? Over and over again? And completely crushed you? Aren't I so good at it?" He merely laughs as your face flushes, enjoying the anger visibly seething within you at his attempts to make you act out on your envy. Strangely, you didn't mind, and you have never felt more validated in your life. No one in the human world prepares you that being in love with a demon means they absolutely bask in anything you ever viewed as your shortcomings.

✧･ﾟ: *✧･ﾟ:*

ෆ ━ Satan ━ ෆ

You didn't want to call it anger issues, but everyone else did. In your opinion, it was everybody else's problem for trying you. You were aware that your patience has its limits, and said limits are plainly easy to cross; it doesn't take much to provoke you and your reactions are far from being controlled and passive. You choose to live by it, though, as your wrath is a beast even you couldn't tame, and you wonder if anyone out there were to prevail it.

He wants you as his project. Satan mentally exclaims. His own little feisty human who's troubled with the burden of a short fuse and fails to command it, just like he used to be. Teaching you to contain and channel your power is an achievement he'll be able to brag upon, something within his department, that only he can master, and Lucifer could never. Except, he did not expect the outcome - Satan finds himself fascinated by you, your reasonings, and most of all, the passion that fuels your intense emotions. Without realizing, his plan backfires as he ends up wanting more of your fire, more of your ferocity, becoming a little too tangled up in enabling your wrath, and reviving his own in the process.

"I said I don't have it!" Your brows furrow, shooting daggers at the blonde. "It's alright if you took it, just let me know next ti-" His expression is calm, even condescending while he accuses you in vain. "I didn't take it!!" You don't allow him to complete his sentence, your nerves quickly getting the best of you as your voice is raised by a couple octaves. Satan smirks, he knows you didn't take his belongings, but he also know you're one popped vein away from turning the situation into a steamy, temper filled makeout session.

✧･ﾟ: *✧･ﾟ:*

ෆ ━ Asmodeus ━ ෆ

Viewing the world through a pink lens, you were one infatuation away from losing your mind. No one could quite understand your deep attachments, or support your confidence; perhaps it was all because you are the one putting the emphasis on your wrong attributes. There is no doubt that you are breathtakingly beautiful, and people notice it from a mile away, letting you have your way with them whichever form you like. But then, why do you constantly feel so empty?

There is no way a human can be this beautiful, maybe- even more than himself? No, this can't be, can it? Asmodeus finds himself in a state of consternation. He resents it at first, he used to be the one drawing everyone's attention with his unimaginable beauty; it's not until your eyes finally meet that he's struck with the same bewilderment. But something seems off about this human, do they seem... sad? For some reason, it cheers him up. Maybe it's because it makes you more approachable, or maybe it's because he finally meets someone who shares a similar problem, one that no one else can see past the initial vibrant attitude. No one, but Asmodeus.

"Do you like this outfit on me?" Patting out your clothes, you bashfully seek for Asmodeus' approval. "Sweetheart, with your gorgeous face you would look good wearing even a potato sack." His eyes soften as he scans your roseate cheeks. "You do look good in it though, but... you know that that's not where your charm lie, right?" He frowns when your eyes widen with surprise, are you truly not aware of your good measures? Because they are so obvious to him.

✧･ﾟ: *✧･ﾟ:*

ෆ ━ Beelzebub ━ ෆ

Food is among life's greatest pleasures - satisfying, comforting and delicious. You label yourself a curious connoisseur, admiring the different stages your food goes through before ending on your plate, tingling your tastebuds. You truly love, appreciate, and cherish the different types of cuisines in the world, however, society viewed your food adoration as disgraceful, consequently causing you to suppress a meaningful chunk of your personality for the sake of acceptance.

Beel is desensitized to the inkling that washes over him when he initially sees you. He's used to receiving this warm, familiar feeling from food all the time, so he's mostly indifferent to it, and didn't realize it's actually you emitting it this time. He only pays mind to it when the family sits down together for your first dinner with them - inquisitive, you eye the diverse food on the plate, only to reject it with a smile. Cocking an eyebrow at the sight, Beel is wondering who in their right mind would refuse a devildom delicacy.

Later that evening, a knock on your door breaks the silence settled in your new room. You allow the visitor in, watching as Beel steps in with a loaded tray, filled to the brim with a variety of snacks. "You didn't have anything at dinner, so I wanted to introduce you to some other local treats, maybe there's something in here that would fit your taste?" He explains, placing the platter on your desk. "Thank you Beel, but I'm not really hungry." You inform, but the latter won't budge. "Well, I'm staying here until you try at least some of them, so take your time. I have no other place to be at for awhile." Your heart flutter at the gesture. Maybe in this new world you no longer have to hide who you are, at least not with Beelzebub.

✧･ﾟ: *✧･ﾟ:*

ෆ ━ Belphegor ━ ෆ

On any day, you would take staying home with a good book or a movie over going out. Leaving your safe haven often feels like a chore, and the older you became, the rarer it was to find the time for these moments of solace. Nothing beats the comfort of staying in bed for you, cuddled in a duvet and left to your lonesome. But people continually take it the wrong way, deeming you apathic and careless for not wanting to engage in the same tiresome activities they enjoy. Life in the human world is not easy for a domestic being, and surrounded by all the wrong ones, you find yourself pondering if like-minded people even exist.

Belphegor has months of making up to do when he's finally (properly) introduced to you. His sentiment with you was way too damaged to even acknowledge the fact his sin was practically covering every inch of your existence, something he usually would sniff from miles away. It took a bit of warming up from your side as he patiently waited for you to set the pace, but when you finally agree to nap with him one afternoon━ nose buried in your soft locks━ he ultimately detects the reason he feels so in tune with you.

"Who is it?" Belphegor peeks over your shoulder as your phone lights up with a text message. "It's Asmo, he wants me to go window shopping with him." You sigh, your finger hover over the keys, contemplating your reply. Belphegor puts an end to your turmoil by taking the device from your hands and clicking it shut. "There, problem solved. Now come back to bed, it's cold without you by my side." He smiles, pulling you closer by your arms. "You're a bad influence, Belphie." You shake your head, but he just shrugs in response. "You can call it that, but I just know what you want."

[ultraviolethypno]

hey there!

i'm ultraviolet, or uvie, or UV, or however else you'd like to call me. i'm 26, an autistic man/something, and an amateur hypnotist.

on a lark, i put a friend under for the first time late last year and at their request had them live out a series of transformation/command scenarios they'd been holding close to the chest for a while. it ended up being a great time for all involved, and i realized i quite enjoy the whole "service tist" angle of hypnosis. i figured i'd start spelunking, see who's interested, remembered that tumblr has a huge hypnokink scene, and now here we are!

safety, consent, and deference are beyond mandatory with me; they're elementary. quite frankly, they should be elementary for you too. i will work around your schedule, around your tastes, on your time. as a general rule, anything you might want to try (even the really weird specific or hardcore stuff you don't have a sideblog for) is on the table, but check with me first.

i give you my word: there will be no commands or triggers given for grimy shit (findom, unprompted trance, video recordings) unless it's been discussed. in kind, nothing i do will last beyond the end of the session unless it's been discussed.

i read all DMs as soon as physically possible and will usually get back to you within the day, but my real life obligations tend to swallow my whole day. if i don't answer, it's nothing personal!

i'm not on discord too often but just in case the name is ultraviolethypno! display name is "uvie"

ADDITIONALLY: JUST BECAUSE I HAVE FOLLOWED YOU DOES NOT MEAN I'M LOOKING FOR YOU TO BE A SUB SOMETIMES I AM JUST HANGING OUT ON THE COMPUTER. if i want a session with you i'll straight up ask.

NO-NOs

- no minors, absolutely no exceptions

- blank blogs (no avatar, no personal info, just reblogs, etc.) will likely get ignored! we're all putting ourselves out here a little for this, you should do the same.

- pictures are welcome, but let me know if they're coming!

- i have an incredibly hard time being put under and even if i didn't i still probably wouldn't want it! don't come wide with that covert shit either, i know all the tricks.

- i reserve the right to ignore any particular messages for whatever reason. don't be pushy!

- if i say no to something, that's the last word on it until i say otherwise.

there's good weird and bad weird, let's stay being the former! i can't wait to show you a good time!

[lautski-week]

HELLO LAUTSKI NATION

I would like to welcome you all to the second Lautski week!

Here are the prompts, but all future plans for the event, FAQ, and notes on the survey from last week will be under the cut!

SO! First off! Thank you to everyone who responded! To the people who suggested future prompts, they’re all in consideration for future events. Except one of the alternates. I replaced one of the original alternates with “Fairy Tale” for my own sake, I salute whoever suggested that.

Surveys came pretty overwhelmingly in favor of making Lautski week a semi-annual event, with one week in the summer and one in the winter. So don’t be too surprised if this account is revived again in April/May. As long as people are interested, I’ll keep running it!

And now, some general Q&A stuff!

Q: What are alternates?

A: Alternates are two extra prompts in case one of them leaves you stumped! They can be used any day, or they can not be used at all! It’s up to each individual participant!

Q: Do I have to do all seven days?

A: You’re free to do as many as you want! You can do all seven, you can do just a few, hell, you could do all nine in you wanted! This isn’t a challenge, it’s an event. The main goal is to make some posts about this ship we’re all brainrotting for and having fun.

Q: What can I make?

A: Anything you want! Art, fics, edits, memes, etc. Nothing’s off the table.

Q: How do I post?

A: I’ll reblog anything made for the event to this blog and my main. If you’d like to be featured, please @ THIS blog. Additionally, I’d recommend tagging works with #lautski week so everyone’s works can all be found in the same place.

Q: I was late! Can I still post?

A: Of course! I’ll keep reblogging new posts tagged #lautski week and/or mention this blog through December 13!

Q: Can I post to AO3, then link it back here?

A: Absolutely! Also, I recently found out “Lautski week” was wrangled into its own tag on AO3, so I guess it’s officially recognized now 😭 Granted, it mentions my old URL and assumed it would be an annual event. Either way, Lautski Nation has truly made it I guess. But point being, yes, that’s fine!

Q: Can I post to (insert any other fanfic site here) then link it back here?

A: Same as AO3. Go ahead!

Q: One of my wips fits *insert prompt here!* Can I post it for that day?

A: You can, but please don’t post before the event begins!

That’s it. I’m pretty sure. If there are any other questions/concerns, feel free to DM or send an ask! I’ll rb this both here and on main periodically until the event begins, but until then, I can’t wait to see everyone’s works! See y’all soon and have fun! 💛💚💜

[crusherthedoctor]

Hey all, hope everyone's doing good. Thought I should give an update on my current perspective on things around here, as it's shifted for reasons I'll get into.

In a nutshell, I'm feeling better than before... but I also think it's time for me to semi-check out of current Sonic discussion.

By now, you all know that with the exception of Superstars and Dream Team - and Jimbotnik, because of course - I've not been enthusiastic about much of the current stuff. Whether that be the likelihood that they'll continue with a Frontiers direction, the SA2 milking that has made me more sick to death of its influence than I thought was possible, the Year of Shadow in general not being all that enticing if your top ten does not include him, IDW still causing the same repetitive back-and-forths with its characteristically terrible decisions and disproportionate praise from fans who don't actually buy the comic, various other bits and pieces that plant further Eggdad seeds into people's heads, a bunch of other stuff that I'm just apathetic about while everyone else goes crazy over them... it's not been a great time for me. I'm the Garfield, and the current direction is the Monday.

That would all be one thing, but as you may expect, it's the fandom that really irks me. I don't like how it's considered necessary to make every post a bestseller in order for your opinion to be seen as valid and insightful. I don't like how you're expected to not criticise something just because it's popular or "iconic". I don't like how everyone dedicates themselves to the same old lengthy discourse that will continue to not change anyone's minds either way, since the only people listening are the ones who already agreed with them. I don't like how you have Flynn/Archie/IDW stans on one side, and an increasingly common "Japan only, no one else should ever touch the series, also the Japanese fandom is the only one with good people in it, I was born in the wrong country uwu" mentality on the other side.

And... I don't like that I've brought these concerns up so many times before when I know it'll always fall on deaf ears. Why do I do this? Why do I bother? For the fandom, I guess. But if the fandom doesn't even respect me, if my words are always doomed to ring in an empty hallway, why should I bother?

While all this has been going on, the Paper Mario Thousand-Year Door remake has been on my mind quite a bit, as it has been for a lot of folk. As someone who has always loved TTYD, as well as the original N64 Paper Mario, I'm happy to report that I absolutely adore the remake, and quickly considered it a gold standard as far as faithful remakes go. :) There's a lot of reasons for that, but that's best for another time. Anyway, after a certain point, it occurred to me... hasn't it been a while since I've been able to just relax and join in on the hype for something? Hasn't it been a while since my opinion lined up with that of the majority? Hasn't it been a while since, regardless of not actually posting, I felt like I belonged somewhere, and wasn't being made to constantly feel like I'm worthless because I'm not an artist, animator, etc?

I think this is something I've been needing for a long time now. The irony of it coming from the bing bing wahoo man is not lost on me.

After how the past few years in the Sonic fandom have felt like a classroom more than anything, watching everyone repeat the same Why ___ Is Secretly Good/Bad three hour manifestos over and over, and flogging themselves for being Not-Japanese, can you see why the simple pleasures of "hehe Vivian :3" would appeal to me? Can you see why I'd prefer to unwind? I made a valiant effort, but now, I can't force myself to keep up with shit that I'm not passionate about for the sake of a community that doesn't care about what I have to say anyway. I need to find myself a place on here that I can be at ease with.

So what does this mean for my blog? Well, nothing too jarring, just that my focus may shift a little for the time being. Despite what all of the above may imply, I'm not turning in my Sonic badge. I still love the franchise, even if I'm not so fond of its overall current direction. And obviously, I still love Eggman, that'll never change. I'll still answer asks about the series, talk about things I like, reblog stuff I like, work on Stellar, spread Egg Propaganda, and so on. But unless I'm asked about them in certain contexts (ie: "how would you improve this character"?), I refuse to talk about IDW, Frontiers, or anything else whose contents and fandom circles cause me migraines.

Not because toxic positivity, but because after the joy of gushing over Vivian TTYD, and remembering the feeling of belonging, I can't do this again. I can't change Tails calling himself Wildly Inconsistent. I can't change The End being a nothingburger. I can't change Lanolin being an arsehole. I can't change Surge's shilling. I can't change how unprofessional the IDW crew is. I can't change what they're doing with Eggman, and various other characters. I can't change any of these things, no matter how much I or anyone else rants about them, and half the time, no one is seriously listening anyway. So many words for so little results. So I need to move on, stop wasting my time, and turn my attention on things that actually make me happy instead of just... deflated. Maybe if I do that, I can belong again. Maybe when the direction inevitably changes again in the future, it'll feel like it came faster.

So yeah. That's where I'm at now. I hope you guys can understand.